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THR: They introduced that Neal could potentially leave …ĭeKay: Beau Bridges comes into play as Peter’s mentor from Washington, along with Anna Chlumsky, and the two of them are fantastic. I would say the struggle for Neal has been do I stay or do I go. THR: What can you reveal about the rest of the season?īomer: We have this great Rear Window type of episode where Joe Manganiello came on the show where he plays the highly suspected neighbor that Elizabeth is very suspicious of. I think probably when it’s all said and done, we’ll have directed. I think eventually, maybe in a couple of seasons or something when everybody’s had their turn.
#WHITE COLLAR SEASON ONE TARMAC BOMER HOW TO#
THR: Matt, did that make you want to possibly step behind the camera? What did you pick up?īomer: I think I learned from him how to steer a ship in a small, collective way and how to talk to actors. I put his head on my shoulder and said, “Tim,” I rocked him a little bit, “it’s going to be OK.” Make sure to trust the machine that’s already moving and the crew and the cast.” There were times when I wanted to freak out.īomer, joking : There was that time when you started balling. Before I did it, I said to myself, “Make that moment happen. THR: Did you have a moment where you close to losing it?ĭeKay: No.
It felt right.ĭeKay: The thing that I discovered was how fast we moved as a production shooting episodes. The fact that we were the first production ever to get to shoot in the new Yankee Stadium.
The storyline was baseball-themed and he had such a history with that. When you’re on the right track, so many things fall into place. THR: Was there something that you discovered during that experience?īomer: I knew I was going to love it from a collaborative standpoint. Some things I don’t really see until it airs. I’m either in the trailer or the scene itself so I did it a lot. There was a joy for me as a director to watch Matt on the monitor work with other actors in a scene because I don’t get to do that. But we do bounce things off of each other. When Matt and I work together we don’t direct each other necessarily. It was such a perfect episode for him to direct.ĭeKay: It takes place in Yankee Stadium for baseball. It made me want to do great work for him. He did justan amazing job wearing both hats, and it was such a natural fit. While he’s still the work he always does, he’s also paying attention to things visually. I knew he was going to be great because I watched him over the past year and a half. THR: What was Tim like as a director? (DeKay directed an upcoming baseball episode, airing February, which THR broke in August.)īomer: Everything I hoped for.
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I remember the director called me the night before and he was like, “Can you memorize a full Byron poem by tomorrow morning, in verse.” Considering his background, the fact that he never had a formal education, to get to go undercover and enjoy the vicarious aspect of it. Matt Bomer: For me it’s always fun when Neal gets to go undercover. I like it when Neal does something and it pisses Peter off but he can’t do anything about it. I love that part of White Collar a lot because it’s fun, it’s light, there’s a lot of heart in those episodes. Tim DeKay: That’s one of those episodes that didn’t have much anthology to it. The Hollywood Reporter: In an upcoming episode, “Upper West Side Story,” Neal pretends to be a teacher and at the climactic moment, there’s a funny scene with a fake gun. PHOTOS: 10 Broadcast and Cable TV Show Most Watched By Menīomer and DeKay gave THR a preview of the first episodes back, what DeKay really is like as a director and whether Bomer will step behind the camera - or write - any time soon.
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